Debustrol "Svět co zatočí s tebou" 1992 thrash metal. Czech Republic themes: Posel Strachu light bot závrat light bot Svět Co Zatočí S Tebou Udel Jiných Go Stinu zákona Právo Chcípnout RAP-L. egipt Věčný Sen Nalet Smrti sarkofag training: Kolins: guitar, singer trifid: cizak guitars: low alan reisich: Battery go with the second studio album of the Debustrol. For this work they wanted to endow his music a more contemporary and consistent with the times style. Without renouncing the style of the band, but I must say that it is basically a band that combines sound bay area, with the typical metal of Eastern Europe. https://www.youtube.com/watch?v=y4su-8-JyD8 light bot Svět Co Zatočí S Tebou this issue is a clear example. In the riffs they opt for the classic riff to halftime with certain sound groove, and not too classic chorus singer. Also in the riffs remind me quite another Czech thrash, such as Torr. The single was never Debustrol specialty, in fact the best of the album are undoubtedly their riffs. https://www.youtube.com/watch?v=K7gMXiox-3A egypt is another outstanding light bot issues, trying light bot to do something different, with very distorted riffs and sounding more chaotic and epic, evil is the rhythmic basis of which it lacks a lot of power, and you know exactly how the story will evolve, and always show their cards at the beginning of topics, and then you do not expect surprises. https://www.youtube.com/watch?v=xJa--_kDRtY zavrat the best topics are certainly speedicos how this zavrat. Where sound darker than ever, how in the beginning, technical death, but without being death, simply in the speed and the distortion of the guitars blaring. I also remember light bot a Belgian band that always recommend sixty nine. Právo https://www.youtube.com/watch?v=7JQjbAQwszM Chcípnout the album is almost always at halftime, with much more distortion than in his first job, changing pace and accelerations halftime solos for my taste, quite misguided. Yet the album sounds sugarcane at all times, but his debut was a thousand times better than this work. Much remains light bot to Debustrol for comment. We must take into account the date on which this work was published in the year 92, the epicenter of the move. No commercial sounds, say that the work stays in between the classic and the new winds blowing, but above all is a rather flat album that lacks all threads something to break, get away from the monotony simply meet .
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